

In the summer of 2024, I shot two Super 8 cartridges. They are filmdiaries suspended between memory and portraiture, dedicated to two people that are very dear to me. "Meno di metà" consists of the total removal, through editing, of their every trace from the images, thus excluding all the scenes animated by their figures. Only the uninhabited sequences—or those inhabited by their disappearance—now belong to the film.